• I want to thank all the members that have upgraded your accounts. I truly appreciate your support of the site monetarily. Supporting the site keeps this site up and running as a lot of work daily goes on behind the scenes. Click to Support Signs101 ...

CMYK RED

Bobby H

Arial Sucks.
I think results are going to vary from one device and print setup compared to the next. Obviously Magenta needs to be 100%. I think Yellow at anywhere from 90% to maybe 95% can keep the Red looking Red without it shifting too much toward pink.
 
  • Agree
Reactions: 1 users

Geneva Olson

Expert Storyteller
I think results are going to vary from one device and print setup compared to the next. Obviously Magenta needs to be 100%. I think Yellow at anywhere from 90% to maybe 95% can keep the Red looking Red without it shifting too much toward pink.
my problem with the 90-95% yellow means that it turns to orangie
 

Mike Paul

Super Active Member
My computer is shut down right now but definitely a bit of Cyan, 100 magenta, apx. 90 Yellow, and a bit of K comes to mind.

Every printer and rip is different though...
 
  • Agree
Reactions: 1 user

Mike Paul

Super Active Member
If I get a slow day I'll get out my 3M Cast vinyl color chart and dial in printed samples to match as best as possible.
Save them in a swatch Pallet in Flex software program, name them and then you can just select the printed color and apply it to your vector graphics when needed to match.
 
  • Agree
Reactions: 2 users

alcorey

New Member
my problem with the 90-95% yellow means that it turns to orangie
That's really strange because typically losing a little yellow will decrease an orange tint - I can see decreasing magenta turning it more to an orange flavor - I use 10 C, 100 M, 100 Y, and maybe or maybe not some K
Here's a logo that I added 10 Cyan to = original is 100 Y & 100 M
 

Attachments

  • Reds.jpg
    Reds.jpg
    307.7 KB · Views: 24

LizKeenan

New Member
Some of this is dependent on your white point or media/ color intent. But 485C is excellent, your RIP should have an internal library for it, just name a spot that color, or 185C and see if it’s any good.
 

Bobby H

Arial Sucks.
When print jobs are being output on one of our printers that have six ink colors rather than the usual four I'll leave Pantone spot color fills set as Pantone spot colors. The RIP will usually do a more accurate six-color conversion of the spot color than I'll manage when trying to dump it down to a four color mix. It's still pretty important have a physical set of Pantone spot color swatch books as a reference to compare output.
 
  • Agree
Reactions: 1 users
Top