I've used aqueous medias in the past that didn't wick up the ink as you suggest. For instance using epson's backlit media with a clay coating produced great results with no bleeding of the ink when it hit the clay coating.
As I understand it all the fine art stock for digital print (aqueous) will have a similar ink receptive coating. Do you know of something that affects the art stocks differently than other aqueous treated medias?
I've used a water colour
paper from lexjet that was designed for eco solvents, but this client loves the Torchon and doesn't want to switch stocks.