I started painting
signs in the early seventies. Word got around I was a decent artist, and all through high school and college I had a nice part-time income and met a lot of people. After graduating from college in 1979 (graphic design major), I worked in the printing industry, and watched first hand as the copy shops decimated the local offset printing business. I went back to painting
signs, and opened a full service shop in 1984 (the year the Mac came out with PostScript printers). One shop in town had an early Gerber plotter, and I saw the writing on the wall. Years of learning how to hand letter, and now anybody with $20k could just set one of these up and produce perfect vinyl letters. We adapted, spent the money, and by 1989 had a cobbled together system using a Mac that could drive our plotter (output from TypeStyler, a program that could outline the PostScript characters). Not long after that, we started seeing PC based systems that were a lot cheaper, and "Vinyl Shops" started popping up everywhere.
The traditional
sign shops took a beating, and we started to concentrate on installation, service and maintenance. We still produced vinyl
signs, but the small Vinyl Shops had much lower overhead and were able to kill us on pricing (but I still had my art skills, so we had an edge with discerning clients). The conversations at
sign shows and Letterhead meets were remarkably similar to the ones we had when Copy Shops killed the local offset business.
Fast forward to today. Same conversations, but now how online printers and outsourcing has killed the traditional
sign business. I had already been through this a couple times, so twenty years ago I started focusing on art and design as a profit center. I began outsourcing production as much as possible, including installation, maintenance and service. I am lucky in that I have a loyal base of clients who keep me busy doing art and design.
I sell art and design, both to clients and production shops who cannot afford a professional
sign designer on staff. If the client wants me to furnish and/or install a
sign, I outsource it and mark it up. Not surprisingly, my pricing (even with a 40% margin, which is my standard mark up), is very competitive. I keep local installers busy, and in they (well, some of them) turn to me for design and project management. My overhead is low (I work from my home and have a small shop less than a mile away for meeting clients and some very light production). Admittedly not for everybody, but something to consider if you want to make money as an artist.