PANTONE colors books represent colors of finished "mixed ink" which has a recipe on how to mix it - similar to how Sherwin Williams mixes paint to an exact color. That mixed ink or SPOT COLOR is then loaded into a press and what you see is what you get. The reason a PANTONE BRIDGE book exists, is that there is a distinct difference of printing PANTONE colors in CMYK vs. mixing the correct PANTONE color due to the color gamut limitations of CMYK. The one chip shows the SPOT COLOR if you mixed the ink to produce that PANTONE color, the other shows how that color prints using CMYK or PROCESS COLOR printing.
Agreed. I would add that our CMYK printers only print four colors; Cyan, Magenta, Yellow & Black, everything else is an illusion of color & we all see those illusions differently.
Years ago, I had a picky customer that had rejected several hard copy proofs of their multi PMS critical layout. It was getting down to the wire, so the business owner had me print
out each PMS color with about 30 variations of that color, he had everyone in the business that worked with colors (Painters, Print techs, Sales) pick the color on the swatch
that they thought best matched the PMS book... That was a huge learning experience for me, you would not believe the huge disparities between the colors people picked, they went from
one end of the color swatch to the other and those colors looked nothing alike. Moral of the story, color matching digital graphics to spot-colors is very subjective, color critical
projects must have the customer's signature on a printed sample.
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